Which Film Won The Oscar For "Best Animated Feature" In 2004?
Academy Award for All-time Animated Characteristic | |
---|---|
Awarded for | The all-time animated film with a running fourth dimension of more than forty minutes, a pregnant number of the major characters animated, and at least 75 percent of the flick's running fourth dimension including blitheness. |
Country | Us |
Presented by | University of Move Picture Arts and Sciences (AMPAS) |
Starting time awarded | Shrek (2001) |
Currently held by | Encanto (2021) |
Website | oscars |
The Academy Accolade for Best Animated Feature is given each year for animated films. An animated feature is defined by the Academy as a film with a running time of more than 40 minutes in which characters' performances are created using a frame-past-frame technique, a meaning number of the major characters are animated, and animation figures in no less than 75 pct of the running time. The University Award for Best Blithe Feature was showtime awarded in 2002 for films made in 2001.[1] [ii] [iii]
The entire AMPAS membership has been eligible to choose the winner since the honor's inception. If there are xvi or more films submitted for the category, the winner is voted from a shortlist of five films, which has happened 9 times, otherwise there will but exist 3 films on the shortlist.[4] Additionally, viii eligible blithe features must have been theatrically released in Los Angeles County within the calendar year for this category to be activated.
History [edit]
For much of the Academy Awards' history, AMPAS was resistant to the thought of a regular award for animated features, considering in that location were simply too few produced to justify such consideration.[v] Instead, the Academy occasionally bestowed special Oscars for exceptional productions, usually for Walt Disney Pictures, such as for Snowfall White and the 7 Dwarfs in 1938,[vi] and the Special Accomplishment Academy Honour for the live action/blithe hybrid Who Framed Roger Rabbit in 1988[vii] and Toy Story in 1995.[8] In fact, prior to the honor'due south creation, only one animated picture was nominated for Best Picture: 1991's Dazzler and the Beast, too by Disney.[9] [ten]
By 2001, the rising of sustained competitors to Disney in the feature animated film market, such every bit DreamWorks Animation (founded by former Disney executive Jeffrey Katzenberg), created an increase of flick releases of significant annual number enough for AMPAS to reconsider.[11] The Academy Award for Best Animated Characteristic was offset given out at the 74th University Awards,[12] held on March 24, 2002.[13] The University included a rule that stated that the award would not exist presented in a year in which fewer than eight eligible films opened in theaters.[14] It dropped the dominion on Apr 23, 2019, to make voting for animated films more acceptable.[xv] People in the blitheness industry, too as fans, expressed hope that the prestige from this honor and the resulting boost to the box office would encourage the increased production of animated features.
In 2009, when the nominee slots for Best Picture were doubled to ten, Upwardly was nominated for both Animated Feature and Picture at the 82nd Academy Awards, the starting time to practice and so since the inception of the Animated Feature category. This feat was repeated the following year past Toy Story three.
Criticism and controversies [edit]
Best Picture criticism [edit]
Some members and fans have criticized the honour, however, proverb it is only intended to prevent animated films from having a chance of winning Best Picture. DreamWorks had advertised heavily during the holiday 2001 flavour for Shrek, but was disappointed when the rumored Best Picture nomination did not materialize, though information technology was nominated for and ultimately won the inaugural Best Animated Feature laurels.[ane]
The criticism surrounding the Best Animated Feature category was specially prominent at the 81st Academy Awards, in which WALL-E won the award merely was not nominated for All-time Movie, despite receiving widespread acclamation from critics and audiences akin and being generally considered to be one of the best films of 2008.[sixteen] [17] [18] [19] This sparked controversy over whether the motion picture was deliberately snubbed of such nomination past the Academy. Flick critic Peter Travers commented that "If there was ever a time where an animated characteristic deserved to be nominated for Best Moving picture, it's WALL-E." However, official Academy Award regulations state that any film nominated for this category can even so be nominated for Best Picture.[4]
From 2010 onward, with the increasing competitiveness of the Animated Characteristic category, Pixar (a perennial nominee) did non receive nominations for several recent films due to the more mixed critical response and comparatively low box-part receipts, while Pixar'due south sister studio Disney Animation won their first 3 awards.[20]
Ineligible about motion capture films [edit]
In 2010, the Academy enacted a new rule regarding the motion capture technique employed in films such as A Christmas Carol (2009) and The Adventures of Tintin (2011), each directed by University Award for Best Director winners Robert Zemeckis and Steven Spielberg, and how they might not exist eligible in this category in the future. This rule was possibly made to prevent nominations of live-activity films that rely heavily on movement capture, such equally Avatar (2009).
[edit]
On the 94th Academy Awards, the award for All-time Animated Feature was presented by 3 actresses who portrayed as Disney princess characters in live-action remakes of their respective animated films: Lily James (Cinderella), Naomi Scott (Aladdin), and Halle Bailey (The Little Mermaid). While introducing the category, Bailey stated that animated films are "formative experiences as kids who sentry them", every bit James put it, "Then many kids watch these movies over and over, over and over again". Scott added: "I meet some parents who know exactly what we're talking virtually."[21] The remarks were heavily criticized by those working in the animation industry equally perpetuating the stigma that animated works are strictly for children, especially since the industry was credited with sustaining the flow of Hollywood content and acquirement during the elevation of the COVID-xix pandemic. Phil Lord, co-producer of one of the nominated films, The Mitchells vs. the Machines, tweeted that it was "Super absurd to position animation as something that kids lookout and adults accept to endure". The flick'southward official social media accounts responded to the joke with an image reading: "Animation IS cinema".[22] [23] A calendar week later, Lord and his producing partner Chris Miller wrote a guest column in Multifariousness criticizing the Academy for the joke and how Hollywood has been treating animation writing that "no one set out to diminish animated films, but it's loftier time nosotros prepare out to elevate them". They likewise suggested to the Academy that the category should exist presented by a filmmaker who respects the art of animation as cinema.[24]
Adding to the controversy was the fact that the award for Best Animated Short Film (the nominees for which were mostly fabricated upward of shorts not aimed at children without Disney and Pixar nominees) was ane of the eight aforementioned categories that were not presented during the alive broadcast.[25] The winner for the Best Animated Short laurels was The Windshield Wiper, a Spanish-American film which is adult blithe with some foreign languages, while the nominee for 3 categories; All-time Animated, Documentary, and International Feature, was Neon's Flee, an blithe documentary virtually an Afghan refugee, which the motion picture is PG-13 rating. Alberto Mielgo, director of The Windshield Wiper, gives an credence speech communication to the Oscars: "Animation is an fine art that includes every unmarried art that you can imagine. Animation for adults is a fact. It's happening. Let'due south call it cinema. I'm very honored considering this is just the starting time of what we can do with animation."[26]
Another gene is that numerous blithe films take been made for mature audiences, with a few of them, Persepolis, Waltz With Bashir, Anomalisa, I Lost My Body, and Flee, having been nominated in this category, though none take won.[27] [28]
These comments came as #NewDeal4Animation, a movement of animation workers demanding equal pay, treatment and recognition alongside their contemporaries working in live-activeness, was picking upwards momentum during negotiations for a new contract between The Animation Social club, IATSE Local 839/SAG-AFTRA and the Alliance of Motion Picture and Television Producers,[29] and the presentation is being used to rally the movement.
Winners and nominees [edit]
2000s [edit]
Year | Film | Nominees |
---|---|---|
2001 (74th) [xiii] | ||
Shrek | Aron Warner | |
Jimmy Neutron: Male child Genius | Steve Oedekerk & John A. Davis | |
Monsters, Inc. | Pete Docter & John Lasseter | |
2002 (75th) [xxx] | ||
Spirited Away | Hayao Miyazaki | |
Water ice Age | Chris Wedge | |
Lilo & Stitch | Chris Sanders | |
Spirit: Stallion of the Cimarron | Jeffrey Katzenberg | |
Treasure Planet | Ron Clements | |
2003 (76th) [31] | ||
Finding Nemo | Andrew Stanton | |
Blood brother Comport | Aaron Blaise & Robert Walker | |
The Triplets of Belleville | Sylvain Chomet | |
2004 (77th) [32] | ||
The Incredibles | Brad Bird | |
Shark Tale | Bill Damaschke | |
Shrek 2 | Andrew Adamson | |
2005 (78th) [33] | ||
Wallace & Gromit: The Curse of the Were-Rabbit | Nick Park & Steve Box | |
Corpse Helpmate | Mike Johnson & Tim Burton | |
Howl'southward Moving Castle | Hayao Miyazaki | |
2006 (79th) [34] | ||
Happy Feet | George Miller | |
Cars | John Lasseter | |
Monster Firm | Gil Kenan | |
2007 (80th) [35] | ||
Ratatouille | Brad Bird | |
Persepolis | Marjane Satrapi & Vincent Paronnaud | |
Surf'due south Upwards | Ash Brannon & Chris Buck | |
2008 (81st) [36] | ||
WALL-Due east | Andrew Stanton | |
Bolt | Chris Williams & Byron Howard | |
Kung Fu Panda | John Stevenson & Mark Osborne | |
2009 (82nd) [37] | ||
Up | Pete Docter | |
Coraline | Henry Selick | |
Fantastic Mr. Fox | Wes Anderson | |
The Princess and the Frog | John Musker & Ron Clements | |
The Hugger-mugger of Kells | Tomm Moore |
2010s [edit]
Year | Film | Nominees |
---|---|---|
2010 (83rd) [38] | ||
Toy Story 3 | Lee Unkrich | |
How to Train Your Dragon | Chris Sanders & Dean DeBlois | |
The Illusionist | Sylvain Chomet | |
2011 (84th) [39] | ||
Rango | Gore Verbinski | |
A Cat in Paris | Alain Gagnol & Jean-Loup Felicioli | |
Chico and Rita | Fernando Trueba & Javier Mariscal | |
Kung Fu Panda ii | Jennifer Yuh Nelson | |
Puss in Boots | Chris Miller | |
2012 (85th) [40] | ||
Brave | Marking Andrews & Brenda Chapman | |
Frankenweenie | Tim Burton | |
ParaNorman | Sam Fell & Chris Butler | |
The Pirates! Ring of Misfits | Peter Lord | |
Wreck-Information technology Ralph | Rich Moore | |
2013 (86th) [41] | ||
Frozen | Chris Buck, Jennifer Lee & Peter Del Vecho | |
The Croods | Chris Sanders, Kirk DeMicco & Kristine Belson | |
Despicable Me 2 | Chris Renaud, Pierre Coffin & Chris Meledandri | |
Ernest & Celestine | Benjamin Renner & Didier Brunner | |
The Wind Rises | Hayao Miyazaki & Toshio Suzuki | |
2014 (87th) [42] | ||
Big Hero 6 | Don Hall, Chris Williams & Roy Conli | |
The Boxtrolls | Anthony Stacchi, Graham Annable & Travis Knight | |
How to Train Your Dragon 2 | Dean DeBlois & Bonnie Arnold | |
Vocal of the Sea | Tomm Moore & Paul Young | |
The Tale of the Princess Kaguya | Isao Takahata & Yoshiaki Nishimura | |
2015 (88th) [43] | ||
Inside Out | Pete Docter & Jonas Rivera | |
Anomalisa | Charlie Kaufman, Duke Johnson & Rosa Tran | |
Boy and the World | Alê Abreu | |
Shaun the Sheep Movie | Mark Burton & Richard Starzak | |
When Marnie Was There | Hiromasa Yonebayashi & Yoshiaki Nishimura | |
2016 (89th) [44] | ||
Zootopia | Byron Howard, Rich Moore & Clark Spencer | |
Kubo and the Ii Strings | Travis Knight & Arianne Sutner | |
Moana | John Musker, Ron Clements & Osnat Shurer | |
My Life as a Zucchini | Claude Barras & Max Karli | |
The Ruby Turtle | Michaël Dudok de Wit & Toshio Suzuki | |
2017 (90th) [45] | ||
Coco | Lee Unkrich & Darla K. Anderson | |
The Boss Infant | Tom McGrath & Ramsey Naito | |
The Breadwinner | Nora Twomey & Anthony Leo | |
Ferdinand | Carlos Saldanha & Lori Forte | |
Loving Vincent | Dorota Kobiela, Hugh Welchman & Ivan Mactaggart | |
2018 (91st) [46] | ||
Spider-Man: Into the Spider-Poesy | Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord & Christopher Miller | |
Incredibles two | Brad Bird, John Walker & Nicole Paradis Grindle | |
Isle of Dogs | Wes Anderson, Scott Rudin, Steven Rales & Jeremy Dawson | |
Mirai | Mamoru Hosoda & Yuichiro Saito | |
Ralph Breaks the Internet | Rich Moore, Phil Johnston & Clark Spencer | |
2019 (92nd) [47] | ||
Toy Story 4 | Josh Cooley, Mark Nielsen & Jonas Rivera | |
How to Train Your Dragon: The Hidden World | Dean DeBlois, Bradford Lewis & Bonnie Arnold | |
I Lost My Torso | Jérémy Clapin & Marc du Pontavice | |
Klaus | Sergio Pablos, Jinko Gotoh & Marisa Román | |
Missing Link | Chris Butler, Arianne Sutner & Travis Knight |
2020s [edit]
Year | Film | Nominees |
---|---|---|
2020 (93rd) [48] | ||
Soul | Pete Docter & Dana Murray | |
Onward | Dan Scanlon & Kori Rae | |
Over the Moon | Glen Keane, Gennie Rim & Peilin Chou | |
A Shaun the Sheep Moving-picture show: Farmageddon | Richard Phelan, Will Becher & Paul Kewley | |
Wolfwalkers | Tomm Moore, Ross Stewart, Paul Immature & Stéphan Roelants | |
2021 (94th) [49] | ||
Encanto | Jared Bush, Byron Howard, Yvett Merino & Clark Spencer | |
Flee | Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen & Charlotte De La Gournerie | |
Luca | Enrico Casarosa & Andrea Warren | |
The Mitchells vs. the Machines | Mike Rianda, Phil Lord, Christopher Miller & Kurt Albrecht | |
Raya and the Terminal Dragon | Don Hall, Carlos López Estrada, Osnat Shurer & Peter Del Vecho |
Multiple wins [edit]
- 3 wins
- Pete Docter
- 2 wins
- Brad Bird
- Byron Howard
- Jonas Rivera
- Clark Spencer
- Andrew Stanton
- Lee Unkrich
Multiple nominations [edit]
- 4 nominations
- Pete Docter
- 3 nominations
- Brad Bird
- Ron Clements
- Dean DeBlois
- Byron Howard
- Travis Knight
- Hayao Miyazaki
- Rich Moore
- Tomm Moore
- Chris Sanders
- Clark Spencer
- 2 nominations
- Wes Anderson
- Bonnie Arnold
- Chris Buck
- Tim Burton
- Chris Butler
- Sylvain Chomet
- Don Hall
- John Lasseter
- Phil Lord
- Christopher Miller
- John Musker
- Yoshiaki Nishimura
- Jonas Rivera
- Osnat Shurer
- Andrew Stanton
- Arianne Sutner
- Toshio Suzuki
- Lee Unkrich
- Peter Del Vecho
- Chris Williams
- Paul Immature
Studios by number of nominations [edit]
Studio | Wins | Nominations | Films |
---|---|---|---|
Pixar | 11 | sixteen | Monsters, Inc., Finding Nemo , The Incredibles , Cars, Ratatouille , WALL-East , Upward , Toy Story 3 , Brave , Inside Out , Coco , Incredibles 2, Toy Story iv , Onward, Soul , Luca |
Disney | 4 | 13 | Lilo & Stitch, Treasure Planet, Brother Carry, Bolt, The Princess and the Frog, Wreck-It Ralph, Frozen , Large Hero 6 , Zootopia , Moana, Ralph Breaks the Internet, Raya and the Final Dragon, Encanto |
DreamWorks Animation | 2 | Shrek , Spirit: Stallion of the Cimarron, Shrek two, Shark Tale, Wallace & Gromit: The Curse of the Were-Rabbit ,[a] Kung Fu Panda, How to Train Your Dragon, Kung Fu Panda 2, Puss in Boots, The Croods, How to Railroad train Your Dragon 2, The Boss Baby, How to Train Your Dragon: The Hidden World | |
Studio Ghibli | ane | vi | Spirited Abroad , Howl's Moving Castle, The Wind Rises, The Tale of the Princess Kaguya, When Marnie Was In that location, The Red Turtle |
Aardman | 4 | Wallace & Gromit: The Expletive of the Were-Rabbit ,[a] The Pirates! Ring of Misfits,[b] Shaun the Sheep Motion picture, A Shaun the Sheep Movie: Farmageddon | |
Sony | Surf'southward Upwardly, The Pirates! Ring of Misfits,[b] Spider-Homo: Into the Spider-Poesy , The Mitchells vs. the Machines [c] | ||
Nickelodeon | ii | Jimmy Neutron: Boy Genius, Rango | |
Laika | 0 | 6 | Corpse Helpmate,[d] Coraline, ParaNorman, The Boxtrolls, Kubo and the Two Strings, Missing Link |
Cartoon Saloon | 4 | The Secret of Kells,[e] Song of the Body of water, The Breadwinner, Wolfwalkers | |
Les Armateurs | iii | The Triplets of Belleville, The Hush-hush of Kells,[east] Ernest & Celestine | |
Netflix | Klaus, Over the Moon, The Mitchells vs. the Machines [c] | ||
Blue Sky | two | Ice Age, Ferdinand | |
Tim Burton | Corpse Bride,[d] Frankenweenie | ||
American Empirical | Fantastic Mr. Fox, Isle of Dogs |
Notes [edit]
- ^ a b Co-production between Aardman Animations and DreamWorks Animation
- ^ a b Co-production between Aardman Animations and Sony Pictures Blitheness
- ^ a b Co-product between Netflix and Sony Pictures Blitheness
- ^ a b Co-product between Laika and Tim Burton Productions
- ^ a b Co-production between Cartoon Saloon and Les Armateurs
Records [edit]
- Pixar has the most wins with eleven and the most nominations with sixteen films of any studio.
- Laika has the most nominations without a win of any studio with six films.
- Well-nigh all the winners have been figurer-blithe; Spirited Abroad is the but Japanese hand-fatigued and non-English-language animated film to win the category, and Wallace & Gromit: The Expletive of the Were-Rabbit is the just finish motion blithe motion picture to win.
- Pete Docter has the about wins and nominations of whatsoever private, winning three awards for Upwardly, Inside Out and Soul. His only nomination without a win was for Monsters, Inc.
- Toy Story is the only franchise with multiple wins due to its 3rd and fourth films.
- Shrek (with i win), Wallace and Gromit (with ane win), How to Train Your Dragon, and Cartoon Saloon's "Irish gaelic Folklore Trilogy" (consisting of The Secret of Kells, Song of the Sea, and Wolfwalkers) are the about-nominated franchises, with three films each.
- Of the eleven adult animated films nominated, eight of them—The Triplets of Belleville, Persepolis, The Air current Rises, My Life as a Zucchini, The Breadwinner, Loving Vincent, Island of Dogs, and Flee—were each rated PG-13. The only R-rated animated moving picture to be nominated in this category is Anomalisa. The remaining ii films, Chico and Rita and I Lost My Body, were not rated past the MPAA. But none of them won the category.
- There accept been years when multiple animated films from the same studio were nominated. They are:
- 2002 – Disney's Lilo & Stitch and Treasure Planet
- 2004 – DreamWorks Blitheness'south Shrek 2 and Shark Tale
- 2011 – DreamWorks Blitheness's Kung Fu Panda 2 and Puss in Boots
- 2016 – Disney's Zootopia and Moana
- 2020 – Pixar's Onward and Soul [50]
- 2021 – Disney's Raya and the Last Dragon and Encanto
- Upward and Toy Story 3 are the starting time ii films winning this category with All-time Motion-picture show nominations after the Academy expanded the number of nominees from five to 10.
- Shrek is the just non-Disney/Pixar animated moving picture to be nominated for a screenwriting category, Best Adapted Screenplay, while winning the inaugural Best Animated Feature film category.[51] [52]
- Shrek and WALL-Due east are the simply all-time blithe feature winners that is in the National Movie Registry as of 2022.[53] [54]
- Studio Ghibli (Japan) and Aardman (Great britain) have the most wins for a non-The states studio with one win each.
- Studio Ghibli has the most nominations for a non-U.s. studio with six films (winning ane with Spirited Away).
- Dean DeBlois (Canada) has the most nominations for a non-US individual with three films.
- Hayao Miyazaki (Japan), Nick Park & Steve Box (both Great britain), George Miller (Australia), and Yvett Merino (Mexico)[55] have the most wins for non-US individuals with i film winning each.
- Ron Clements, Dean DeBlois, Travis Knight, Tomm Moore, and Chris Sanders are tied for receiving the most nominations without winning, with three nominations each.
- Peter Ramsey is the first African-American to win in this category.
- Brenda Chapman is the first woman to win in this category.
- Flee has the virtually nominations (3) for both an adult blithe and documentary film, and the first motion picture to be nominated in the categories of Best Blithe Feature, Best International Characteristic Film and Best Documentary Characteristic, simultaneously.[56]
See besides [edit]
- Listing of blitheness awards
- Lists of blithe characteristic films
- List of animated characteristic films nominated for Academy Awards
- Listing of submissions for the University Honor for Best Animated Feature
- University Accolade for Best Animated Curt Film
- Golden Earth Honor for All-time Animated Characteristic Film
- Annie Laurels for Best Animated Feature
- Annie Honor for Best Blithe Feature — Independent
- Producers Guild of America Award for All-time Animated Moving-picture show
- Detroit Moving-picture show Critics Society Award for Best Blithe Feature
- BAFTA Award for Best Blithe Film
- Critics' Choice Movie Award for All-time Animated Feature
- Los Angeles Film Critics Association Laurels for Best Animated Pic
- Saturn Accolade for Best Animated Film
- Japan Media Arts Festival
- Animation Kobe
- Tokyo Anime Award
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External links [edit]
- University Awards Database – AMPAS
- Academy Accolade WInning Feature Films Archived 2014-06-02 at archive.today at Big Drawing Database
- Best Animated Picture Submissions for 2011 Oscars
Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Animated_Feature#:~:text=Winners%20and%20nominees,-Hayao%20Miyazaki%20won&text=Brad%20Bird%20won%20in%202004,Curse%20of%20the%20Were%2DRabbit.
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